Announcement Rollup July 13th, 2018

CineStill Announces Df96 Monobath Developer 

About a month ago CineStill film announced a new monobath developer that they are calling Df96. At 80 °F (26 °C), with constant agitation it takes only 3:00 minutes to develop a roll of film and achieve an archival fix. The good folks over at CineStill have been working on Df96 for over two years, tweaking the formula. Df96 is supposed to work best with cubic grain films like Kodak’s classic emulsion Tri-X. 

We will be testing out Df96 when it arrives here, soon. 

Analogue Wonderland Has Multiple Announcements 

Today Analogue Wonderland launched a new brand of 35mm color negative films called Yodica. These films look to be similar to films like Revolog Kolor and Kono Colour where you never know what you will get until you develop it.  

Analogue Wonderland also announced that they will begin shipping to North America. Shipping will be about $14.00 USD or $17.00 CAD depending on the current exchange rates, with delivery in 7-10 business days.  

New 620 Films at B.R.T. Co. and More 

We just got a new emulsion in stock here at Through The Lens/Burning River Trade Co. We will be re-spooling some Kodak TMAX 400 as soon as we receive our next batch of 620 film spools. We will also be restocking on all of the other 620 films that we offer. We should have all this up in about a week. 

Unfortunately on Monday our prices will be going up to account for the increased sellers fees from Etsy. There will be an increase of about $0.50 USD per roll of film. 

We are also working on starting up a small lab where we will hand process your film. We will be starting with Black & White 35mm and 120 film. We will be using Rodinal as our developer with Ilford Rapid Fixer and will be providing scans on DVD or SD card. We are looking at costs of $8.00 to develop only and $18.00 for develop and scan to DVD. Scan to SD will be an additional cost, we are still looking for a vendor of SD cards. 

I also am working on posts covering caffenol-c and some intro to photography/cinematography. 

C-41 Cross Processed in Rodinal

Back Story

Two years ago, I got back into film photography while I was laid off over a summer. I had found some expired film in various places at home. With nothing better to do between filling out job applications and going on interviews that led nowhere, I decided to put this treasure to good use. I dug out my parents old trusty Nikon FM that I learned to shoot on about 20 years prior and had some fun with it.

Fast forward to the end of summer and my job search still fruitless, the Department of Job and Family Services said that I was eligible to go back to school. I re-enrolled in at Cleveland State University and decided to finish my degree. All I had left was two general education requirement classes, but I needed to be considered a full-time student to get off unemployment. I decided to take Foundations of Black and White Photography which would give me enough credits to finish and would let me learn print making. I started to look for a secondary/backup camera on eBay, though I trust this old metal box of magic, I do not trust the cheap SLR cameras that the department loans out. While on eBay I find a Nikon N60 in unknown condition, but probably working for the low, low price of $8.00 plus shipping. I figure if it does not work I can pair it with a lens that isn’t worth repairing and add it to my collection of cameras, if it does work, I just got a steal.

(C)2018 Zachary Kascak

When I get the N60 in the mail just a couple of days later I found a roll of Kodak UltraMax 400 that expired 10 years earlier that the seller threw in with the camera. Since I wanted to test the camera to make sure at least the basics worked I loaded the UltraMax in and heard the film advance when I turned the camera on. I went on to test everything else with the camera systematically, deciding not to waste the film shot the roll. When I finished, not wanting to spend $14 to develop it, I put it in the fridge.

In December, after getting that ever so valuable piece of paper declaring me a certified college graduate, it is now winter break and I have a few weeks off from my student job before starting my second degree in the spring. I decided to play around with some homemade developers. I dove in and made a batch of Rodinal, or what should probably be called Parodinal because I used the recipe based on Tylenol. After waiting for the acetaminophen to be converted into para 4-aminopehnol, I needed to test out the developer. Not wanting to potentially ruin a roll of Tri-X that had something I cared about on it, I pulled out the expired UltraMax from the back of the fridge.

Rodinal and C-41 Film

Rodinal is one of the oldest film developers around. It was the first product sold by Agfa in the late 1890s. It has gone by many names over the years. Rodinal is known for its ability for its edge sharpness when used with high dilutions (1+100 or even higher) with stand development. Rodinal is also known for being a high acutance developer. Rodinal is also one of the developers that is easy to make at home.

Something that a lot of people don’t know about Rodinal is that it is a weak color developer. When you cross process C-41 in Rodinal you end up with eerie pictures where the entire photo is tinted anywhere from a light pinkish-brown to deep purples. Within the photos, you will also find hints of color in areas that were extremely saturated when the photo was taken, adding a unique element that is very hard to reproduce in digital.

(C)2018 Zachary Kascak

There are images like the couple I took of a bottle of Tabasco Sauce that someone had left sitting on a bench at Cleveland State University where you can see hints of the green of the label and the band on the neck of the bottle, and the red of the hot sauce in the bottle.

But sometimes, weird things happen to the color, like this image of a Mr. Bill plush chew toy (I found him on clearance at Target and got him to use during safety lectures in film and television production classes) from Saturday Night Live. His shirt is, bright red and his pants are blue. But in the photo that was processed in Rodinal his shirt became blue and his pants became a black with hints of blue.

(C) 2018 Zachary Kascak

Technical Details

CameraNikon N60 with 28-80mm Lens
LensNikon AF Nikkor28-80mm 1:3.5-5.6D
FilmExpired Kodak UltraMax 400 135-24
EI400
DeveloperParodinal
Dilution1+100
Temperature68 ºF (20 ºC)
Development Time60:00
Development MethodStand
Stop BathWater
FixerIlford Rapid Fixer

These photos were taken on Kodak UltraMax 400 that had expired 10 years earlier and had been stored in unknown conditions. The photos were shot on a Nikon N60 with a 28-80mm f3.3-5.6 lens. I developed the roll of film in Parodinal (I will post my recipes in a Photographer’s Cookbook section that I am working on) using the stand method. I agitated for the first 0:30 seconds and for 0:10, over the course of 60:00 minutes of developing. Using a water stop bath before fixing with Ilford Rapid Fixer. Rinsing the film using the Ilford Wash method.

The one thing that I don’t know about is how stable the color in the images is over time. I am pretty certain that the silver image on the film should be stable as it is based on black and white chemistry, and since I have made sure to give an adequate rinse to remove all developer and fixer left on the film. However, since the color dyes are produced by a developer that is not intended for color development and by since this method skips the stabilizer step, the stability of the color portion of the image is uncertain. Over time I will report back on how stable the images have been.

 

Update on Ektachrome

Yesterday while checking out what was new in the #FilmJune hashtag on twitter I stumbled upon an update from Kodak on Ektachrome. Finally they threw us the tiniest of bones on the much anticipated return of Ektachrome.

So let’s look at the Instagram version of the post, since that one has more than just the Macbeth Chart chips. When looking at the images of the Macbeth chart the first thing I notice is that the colors seem off and that there seems to be some pixilation on the edges of the color chips. This is causing me to wonder whether or not these are high enough quality scans to be making judgements on the quality of the images.

Now I will say that the color in the other images is beautiful. I am very pleased with what I am seeing. However the image of the can of soup has a lot of pixilation and has some color artifacts from the digitization process that are horrendous.

Kodak, please provide us with some better quality scans of these photos so that we can properly critique these images.

Leica M7 Takes Its Final Bow

As I was surfing through some photography blogs this morning I had noticed some more sad news. Leica announced this week that they have ceased production of the M7 rangefinder. Unlike Canon, Leica still has two other film cameras available, the MP and M-A available for sale, so all is not lost.  This is a troubling trend as film is starting to make a comeback as more and more younger people make the switch back to analog photography or pick it up for the first time.

Let’s hope that this trend of discontinuing film cameras comes to an end as the field of film photography starts growing again. Though we should all limit our expectations on what we can expect as film will probably never be as dominant as it was.

Another One Bites The Dust

Canon stops selling film cameras.

Yesterday, Canon announced that they will be ceasing sales of their last film camera, the EOS-1V. This is a sad announcement for the film photography community, as we are now left with fewer and fewer options for new equipment.

The EOS-1V was the last model of professional film cameras produced by Canon, and served as the basis for the EOS-1D and EOS-1Ds digital SLR families. The EOS-1V was launched in 2000 and has been on sale for the past 18 years, though production ended in 2018. Canon intends to still service the cameras until 2025 or until parts run out.

Canon stepping out of the film SLR market leaves competitor Nikon with their FM10 and F6 cameras as the only new film SLR cameras left.